The boards hang crookedly, the plastic ties are visible from a distance, and the poster’s content disappears behind random elements. How are drivers or passengers supposed to read an A2 poster while passing it in a second?
Why order an original design featuring the distinctive rogal if it now looks like a fragment of a broken puzzle?
The Bolesławiec Ceramic Festival is, after all, a promotion of a local product known for its precision and aesthetics. Meanwhile, the aesthetics have been fastened—literally—with a cable tie to a pole. Kornel Filipowicz is responsible for the organization and promotion.
What do you think of this showcase for Bolesławiec craftsmanship?